What' trades learning' and pedagogy can learn from music pedagogy

Came across this via the facebook page I follow intermittently. The page is looked after by the current band master of my school band. 40 plus years since I left school, the band continues it's strong tradition of excellence set by the first band mistress, playing a leading role in nurturing young people through learning  music and the discipline and camaraderie fostered through long hours of practice required to attain excellence.

Thestrad webpage focuses on supporting string players, with good resources on practice, technique, teaching music and collation of articles on repetitive practice and the need for effective practice. All in, a good resource of pragmatic responses to assist the learning of complex skills.

I had a look at other resources for learning music and came across some books including one on piano pedagogy.

At the CPIT library, there is a scholarly book on teaching piano – Teaching performance: a philosophy of piano pedagogy by Swinkin and published by Springer in 2015.

The book provides background (some historical) on approaches to teaching piano. The aims of the book are detailed in the introduction. Chiefly the book undertakes to try to resolve 2 dilemmas. One is to bring to the fore, the difficulty in studying music as language, the other is to push teaching of music beyond the technical, to instill greater intellectual depth, emotional sensitivity and interpretative skill in musicians. Unfortunately, I have yet to find an equivalent for trades pedagogy. So, there is a gap in the literature to be further investigated :)

Importance of practice

Via various sources, a collection of links on the importance of practice. Many come from the literature and blogs of musical training and musicians. 

Here is a post from a sports psychologist, Kageyama, applying the learning of sports to the learning of music - providing a summary of how top musicians practice differently from others.

Another post from another musician on how many hours are optimum for practice. Plus another one here with perspectives from a cellist.

The business take on deliberate practice and expertise, as per learning from chess, is summarised in this blog.

So, still some work to do in contextualising the literature for application to trades learning. The challenge with trades work is its variability and complexity. For instance, in the craft I am most familiar with, baking and pastry cooking. There are tasks which require quite a bit of effort and time to master. Examples are the use of piping bags, moulding of bread and 'hand dropping' fillings and biscuit (cookie) dough. Then there is the learning required to perform tasks with fluidity and 'least effort' like loading /unloading ovens or tray racks, lining pastry tins, cutting out pastry or dough. The key is perhaps to identity tasks requiring aspects of deliberate practice and work towards the deliberate practice skills being applied across all other work tasks. Something to mull over for the next couple of weeks.